Emilie & Ogden is not your typical duet but rather an encounter between a young singer and a harp. Her particular voice has often been described as pure and soft, resonating in perfect harmony with the instrument. On stage, her traditional folk sound is embellished by drums, bass and a soft electronic touch, drawing inspiration from other female artists such as Feist and St-Vincent.

““…10000,” just out on Secret City, has a steel spine beneath its
twinkly exterior.” –The New York Times

“Kahn’s angelic voice works as well as any instrument could, and her intricate harp work proves that she doesn’t exist as a reincarnation of [Tori] Amos or [Joanna] Newsom, but a newer, more modern variety.” —Stereogum

“Magical…” —TIME

“Ce premier effort offre une base prometteuse pour la suite des choses.” — La Presse

**** — Métro

“Sur la pièce d’ouverture, on entend la fougue de Feist alors que sur le reste du disque, elle navigue entre sensualité, vulnérabilité et délicatesse; entre quelque chose de très pop mais parfois plus jazzy. ” — VOIR

“10 000 is fierce. It’s a strike, about as twee as the 10,000 talons across the heart that Kahn sings of in her title track” — Exclaim

“A hypnotic voice…” —Hello Giggles

“Emilie & Ogden are not your typical musical duo.” —Slate

“Kahn is a gifted singer and songwriter. She knows it, too, and in the best possible way.” —Flood Magazine